Across the street from the New Sheridan Hotel in Telluride in 1968 there was a jewelry shop run for the summer season by hippies from San Francisco, Doug Phillips, Jim Bess and their wives. Jim was supposed to be the jeweler. There was some fairly nice stuff in the shop but nothing brilliant. Jim’s wife was nice enough, but not memorable. Apart from long hair and somewhat unconventional dress, Jim didn’t seem like a hippie. If he used drugs he never seemed to be high and was discreet about using if he did.
Doug, however was unforgettable. He’d grown up in River Forest, a wealthy suburb of Chicago. His father, Canadian I think, made good money in advertising. His mother had grown up in Oak Park, the town where Ernest Hemingway spent his youth, though I assume she was ten years or so younger than the famous author. It’s probably fair to say that Doug grew up spoiled. He went to Ft. Lauderdale for spring vacation twice in high school, and neither time returned to school. Needless to say he didn’t graduate.
Doug was trying to be a writer. He told me that he had submitted jokes to Playboy which were always rejected. He said they stole one of his jokes – he saw one in an issue not a long time after he sent his in – but he didn’t seem overly distressed about the theft. Doug played the guitar and sang a little which I really liked. The two songs that I remember him introducing me to are “The New Frankie and Johnny” and “San Francisco Bay Blues.”
Doug’s wife left him that summer, taking their young son Paulie. Though I’ve forgotten her name she was much more interesting than Mrs. Bess. I like to think she loved Doug for his wit and intelligence, but could no longer live with him. I’m sure he was an uncertain provider.
Doug continued to be important in our lives after we left Telluride, but that’s getting ahead of the story. Another person who wasn’t as important personally but more important in another way was John Hatfield who lived in the hotel though he wasn’t a miner and had no other apparent job. He told us early on that his name wasn’t really John Hatfield. He had seemed so much a friend so quickly that my wife Judy immediately asked him what his real name was. He smiled and didn’t answer and as soon as she realized her mistake, Judy asked how he picked his name. He said he got a phone book and opened it at random, closed his eyes and pointed to a line. That gave him his new first name. He repeated the process to get a new last name, always assuming that neither name was inappropriate or extremely unusual.
John went hiking with me once and I asked how old he was. I was 27 in August of that year and I was pretty certain he was older. He said sometimes he was 30 and sometimes 60, depending on how he felt. It was a striking statement at the time, but makes more sense now. Until about 15 years ago, I was 18 most mornings when I woke up. On scary mornings I was 13 with that lost, helpless feeling. Now I have good days when I feel 40 until I begin to do something strenuous. The moments of feeling 18 are fewer each passing year.
John also told me that he spent a season selling his art work in New York City, grossing $40,000. That’s when $10,000 a year was big money. John said the expenses were astronomical. He mentioned catered receptions and other things that I can’t remember. He never offered to show me his etchings or any other kind of art though.
He took me with him one morning to look over a possible job felling aspen. I don’t remember where we went but we went to the biggest aspen I’d ever seen. Trees with a 20 inch diameter were common and 30 inchers weren’t rare. I don’t know if he took the job. If he did, it wasn’t for more than a few days.
John also played the guitar, much more skillfully than Doug, but always very softly. He’d come into the bar in the morning when no one else was in there and play. I suppose I should have pressed him to buy drinks, but I didn’t. He might sip a soft drink and rarely he’d have a gin and tonic. If another person came in he would stop though I think most would have liked to hear him keep playing.
Another time we walked up near the mill which was closed. He said he didn’t want to go underground but said he’d work in the mill if it reopened. He tried to explain the basics of how a mill worked. I asked him how he knew. He said “books.” He told me that he could get any credentials he needed. He’d fill out an application and list as reference a friend’s P.O. Box. If a request for transcripts or letters of recommendation came in, the friend would send the requests to John who wrote up the appropriate material and sent it back to be remailed from the P.O. Box.
I believed him at the time, but perhaps it was all a sad fantasy. I spent the next twenty years or more trying to write a short story about John, to make him understandable to me. I gave up several times. Finally in the late 80’s I hit my stride. I stayed after school and used the computer lab. I remember very clearly pecking away at an extended passage and looking up expecting to see the back bar at the Sheridan. For several nights words just flowed. When it comes to fiction or poetry I’m not a planner. I had no idea how to end it. My John Hatfield was much more fictional than when I’d started. Suddenly, and without conscious planning, it clicked. I wrote an ending which surprised and pleased me. I hope the “real John” would have laughed, but it didn’t really matter. I was happy.
Jeff Arnold